A 92 year old Japanese grandmother has handmade this stunning collection of embroidered Temari balls. She has created nearly 500 unique designs that have been photographed by her granddaughter NanaAkua…
For centuries, long hair has been associated with radiant beauty.
Just look back to the fairy tale of Rapunzel, whose long hair became the
stuff of legend.
However, in today's world of trendy, stylish
cuts, having long hair may seem boring, leaving people with a false
impression that cutting it is the only way to liven up your style.
Fortunately, there are many styles for long hair you can choose from
depending upon the occasion, the time you have and the mood you are in.
Trying a New Style
When
you're choosing a new style for your long hair, start by considering
your facial features. If you have soft facial features, adding a lot of
detail and volume around your face can overwhelm your look, so opt for
styles that pull your hair away from your face. If you have bold, strong
features, however, you may prefer some softness and wispy locks
floating free around your face to soften your appearance.
If your
body type is short and sturdy, find a style that adds height, but if you
are built tall and thin, choose a style that is flatter on top with the
bulk of the volume lower than the top of your head.
Finally,
consider the occasion you are styling your hair for. An evening wedding
will certainly call for a different look than a presentation before your
board of directors, and a picnic at the beach requires an entirely
different type of style. Don't be afraid to experiment and have a little
fun. The best part of styling long hair is that everything is
temporary. If you don't like a certain look, you can just start fresh.
Long Hair Looks Braids.
Maybe you don't mind a little fuss with your hair in the morning, but
you just want it out of your way during the day. Whether your hair is
just past your shoulders or you have really long hair, braids are a
simple and ageless look. Other than the classic three-stranded braid,
you can choose from braids such as the fish tail, for a fun, youthful
look, and a French braid that adds a touch of elegance to a simple
style.
When braiding your hair, you can achieve two different
looks just by varying whether you braid over or under the center strand
of the braid. By crossing the left and then the right strands over the
centerpiece, you will create a braid that is inverted and lies flat
against the curve of your head.
The three-strand over braid is the
type of braid used in a French braid. To make a French braid, start at
the top of your head near the center of your forehead, and grab a
section of hair. Divide the section into three even pieces and cross the
right-hand section over the center piece. Repeat with the left side.
This is one complete braid. With each new crossover, grab some extra
hair from the right and left sides accordingly as you work the braid
down your head. It may take a little practice to keep the braid running
evenly down the back of your head, but, once you get the hang of it, you
can form a crisp French braid in just a couple of minutes.
The
three-strand underbraid is created by crossing the outer sections of the
hair underneath the center piece of the braid. This type of braid will
stand up and away from your scalp, such as in cornrow type braids, those
tiny little braids that are perfect for a day at the beach.
Styling Tools.
By using styling tools, you can broaden your hair opportunities. Using a
flat iron gives you a sleek, sexy look great for evening or daytime.
Ceramic flat irons can tame even the wildest unruly bed-head.
Using
a curling iron, you can either enhance your natural curls, or you can
give even pin-straight hair a little curl. Curling irons come in many
sizes depending on the size curl you desire. The use of an appliance
such as a triple barrel can give you a beautiful wave.
However,
save the heated styling tools for special occasions. You don't want to
dry out long, healthy hair by using a straightening iron or a curling
iron every day.
Follow basic long hair tips, such as keeping your
hair clean and well-conditioned and getting a trim every six weeks or so
to keep the ends from splitting and frizzing. Taking good care of your
hair will keep it shiny, silky and ready for any style you like, from a
simple ponytail to a French braid, cornrows or a gorgeous head of curls.
The best haircut for fine hair is one that prevents your strands from
looking limp and stringy. Though most people look for volume enhancing
hairstyles for fine hair, any cut that keeps your hair looking healthy
will work.
If you have dry fine hair, stick with shorter styles
that will keep the strands short enough that they don't get a chance to
split. If you have oily fine hair, you can look for a longer cut, but be
careful of styles that weigh your hair down. Heavy styles on oily fine
hair just result in a flat and stringy look.
The Best Haircut for Fine Hair
The
best length for fine hair is usually shoulder-length or shorter. This
leaves enough length for your hair to have movement and style, but makes
the strands short enough to retain body. Fine hair is extremely
delicate, so avoid using harsh trimming techniques. Razor cuts, heavy
feathering and thinning cuts look terrible on fine hair.
A bowl crop
haircut had a masculine feel, but looks good on men or women with fine
hair. The hair is cut in a short taper to about halfway up the back of
the head. The remaining hair from the crown to the cut line is left
long. The bangs are usually cut in line with the rest of the hair, but
some extremely light layering is added.
A classic bob haircut
is one of the most popular hairstyles for women with fine hair. The
hair can be cut anywhere from shoulder to ear length. The hair can be
left without bangs or layering if your fine hair is thick enough to hold
some body. If your hair is thin, you want to add some light layering
around the head to create a rounded shape. Depending on the exact style
desired, your bob can be matched with any type of bangs.
A Caesar
haircut is a hot look for men with fine hair. The hair is cut short,
only a few inches in length, in straight layers around the head. The
bangs are cut short and blunt across the forehead. The look is worn
flat, but you can add a little gel to the tips of the bangs to create
downward spikes.
A pixie haircut is popular
for looking good and being easy to style if you have fine hair. Though
the style is usually worn by women, some men can pull off the look as
well. The hair is cut in choppy layers a few inches long around the
head. The bangs are also cut short and close to the head. For a trendy
twist, the bangs can be cut side swept and about cheek length.
The first time you use a tanning bed can be a little intimidating,
and well it should be. Lying in a tanning bed is no safer than lying out
in the sun, and exposure to a tanning bed's UV rays can lead to skin
cancer and premature aging of the skin. With that said, there are
several things you can do to limit damage to your skin, including
following these instructions on using a tanning bed for the first time.
When
done safely, tanning is a gradual process. It is important that you
start slowly and work your way up gradually, preferably tanning no more
than a few times per week. The first time you use a tanning bed, you
should go for no longer than a few minutes. You never know how your skin
is going to react, and going for too long could lead to severe sunburn.
Tanning-bed operators should be trained to help you determine how long
you should tan for, but don't count on this. It's better to be safe than
sorry, so go at your own slow and steady pace, even if this takes
longer or costs a bit more.
Most people prefer to tan in the nude
to prevent tan lines, but you should tan in whatever you feel most
comfortable in. You might choose to cover up more sensitive areas with a
towel or wear your swimsuit or underwear. Also, just because you're
trying to get a tan doesn't mean you should leave the sunscreen at home.
Using a mid-level SPF is a good way to help prevent sunburn and
gradually build your tan.
Protective eyewear is also vitally
important, something first-time tanners may not know. Some tanning
salons have eyewear you can borrow, but these days most businesses
require you to buy your own. Fortunately, these cost no more than a few
dollars, and are well worth every penny, as the intense UV rays of a
tanning bed can seriously damage your eyes if they are left unprotected.
Simply shutting your eyes won't work, as the UV rays can travel through
the thin skin of your eyelids.
Another issue with tanning beds
is getting an even tan. If you always lie on your back, your back side
is going to get more tan than your front, because of the closer contact
to the bulbs. You should alternate lying on your front and back or
occasionally use a stand-up bed to even out your tan.
The
operation of most tanning beds is pretty self-explanatory once you've
seen a bed or two, but first-time tanners might be overwhelmed by these
often space-aged looking machines. If this is the case for you, don't be
afraid to ask lots of questions. Tanning salon operators should take
extra time with customers who are using a tanning bed for the first
time, walking them through the process and explaining how to use the
bed. If the salon is too busy and the attendant isn't ready to give you
his or her full attention, you might want to come back at another time
or try another salon.
If you follow these instructions the first
time you use a tanning bed, you should feel more comfortable and be less
prone to sunburn. Remember that the tanning salon attendant is there to
help you and don't be afraid to ask questions if you're unsure of
something.
If you want to learn how to do emo hairstyles and makeup,
remember to practice, experiment and have some fun. There are no rules
for such looks, so you can have fun playing around with bright colors,
different hair and makeup products and different haircuts or styles. Be
creative and express yourself while maximizing or highlighting your best
features.
Eyes Emo makeup is all about drama.
The eyes are most commonly the main focus. This means that you can
throw out all of the rules fashion and women's magazines have told you
in the past. Intensity is everything for emo looks. Thus, take the time
to line your eyes with a heavy or thick eyeliner. Choose colors that are
sure to get your eyes noticed: black, green, blue and brown eyeliners
are most popular. Add to this eye makeup by applying eyeshadow in fun
colors. Either match the color of the shadow so that it complements your
eyes or so that it matches your outfit.
Lips and Cheeks The
lips and cheeks of emo looks are either bare or bright depending on the
preferences of the wearer. Though the eyes are normally the focus of
emo makeup looks, the mouth can be equally bright: it's not uncommon to
find emo kids with bright pinks, blues and even green lipstick.
Hairstyles These
haircuts are often asymmetrical: the edgier the better. Sharply cut
layers and asymmetrical bangs are common pieces of the emo look. The
hair is often straightened to highlight the razor-like ends and layers
of these looks. The more shape there is to the hair, the better: These
looks are about individuality.
Hair Color Emo
hair styles are often darkly colored with bright streaks or stripes.
Since breaking rules is a major piece of this culture, it is common to
find folks with black hair colored with bright pinks, greens and blues.
Having fun with hair color is a major part of this world. Thus, consider
all colors of the rainbow before dyeing your hair. Anything most
certainly goes when it comes to emo hairstyles.
French braid hairstyles are timeless. They are well-suited for any
occasion, from a day at the beach to a black tie affair. Once you've
mastered the basic French braid hair style, you can then start
experimenting with other looks to find the one that perfectly fits your
personality, hair type and engagement. The following includes some basic
information about different elegant French braid hairstyles.
To
make both basic and complex French braids, you take sections of hair
from both sides of the head and add to the braid as you weave. This
braid is more complex than a simple three-strand braid. To begin, you
would start with a small ponytail made where you would like the braid to
begin. From here, you begin braiding, adding a bit more hair as you go.
Different
French braid styles have different effects or looks. For example, if
you add a lot of hair as you go, your braid will end up thicker, and if
you use small sections of hair, the braid will be thinner. You can go
for a tight French braid or a looser braid accented by loose strands of
hair.
Another elegant French braid hairstyle is to have two French
braids on each side of your head. This way, as you braid, you can weave
the individual braids so that they meet and can then be woven together.
If
you want a look that's a bit dressier, you should try an updo French
braid style. To do this, you turn the tail of your braid underneath the
woven plaits and then pin it so it can't be seen.
You should take
the time to experiment with the accessories you use to complete your
French braid look. For example, you can weave in ribbon along with your
hair for a unique look. Another great idea is to use combs to give a
French braid a refined finish.
Whether those dark circles under your eyes are caused by lack of
sleep, lack of hydration or lack of hereditary luck, you can combat them
with the same methods. You'll need to experiment with concealers,
creams and formulas to find out what works best for you, but here are a
few guidelines to get you started.
First, be sure to moisturize
your under eye area-often the skin here can be dry and flaky. You can
use a standard facial lotion or you could invest in a specially
formulated cream in the hopes that it will benefit your dark circles.
Any staffer at a beauty store or cosmetics counter can help you locate a
cream for this problem, but you may want to look for ones that contain
Vitamin K or a combination of Vitamin K and Vitamin A (Retinol)-studies
have found these ingredients to be effective in minimizing dark circles
over time. You might also want to prime your skin with a cream
containing a hint of shimmer. Many undereye creams have this anyway,
given that the sparkle will help reflect light and cause your undereye
circles to appear lighter.
For a quick fix, cover up your raccoon
eyes during your daily makeup routine. Apply a concealer to your
undereyes before you apply foundation. You can't just use any concealer
though: you should choose one that will counteract the color of your
circles. A good rule is to use one that's a shade lighter than your
foundation. If your under eye area has a blue or grey hue, select a
yellow-based concealer; if the circles have a brownish appearance, go
for a light blue or mauve-toned concealer. Even though you might think
choosing a light or white-colored concealer would make your circles
lighter, such a technique will draw attention to your undereyes.
Finally,
remember that you can always create a diversion. Draw attention up and
away from your undereyes-line the upper lash line only with a dark brown
or black pencil. Then cover your eye lid with a shimmering eye shadow
that'll brighten your face.
Starvation
diets, liposuction, armpit Botox and anti-anxiety medication are all
part of awards-ceremony preparation for many stars, whose beauty
routines now go far beyond spray tans and manicures
'The red-carpet regime is brutal,' says one beautician. Photograph: Chris Carlson/AP
The Oscars
red carpet is often referred to by the celebrity press as the most
powerful catwalk in the world. It is the gilded stage for which haute
couture dresses are made; bright lights fall on film stars dressed by
the world's most accomplished designers in some of the most expensive
items of clothing ever made.
But for many of the nominees, what
goes on in the run-up to Oscar Sunday involves weeks of hunger,
sacrifice and last-minute liposuction. "It is brutal," British facialist
Nichola Joss told the New York Times this week, of the pressure of the
high-definition closeup on Hollywood actors. "You can see a hair
follicle. You can see a pimple before it is a pimple."
Hollywood insiders talk of actors who plot their beauty
treatments at different points around Los Angeles in a bid to lose
photographers between pedicure appointments and derma-filler treatments.
Anti-anxiety pills such as Xanax are said to be widely used by
nominees.
"The entire city stops normal activity and the Oscars
take over; the atmosphere is surprisingly serious," says gossip
columnist Dean Piper, who is in LA to cover the Oscars. "Most of the
A-list have been through the St Tropez tanning suite at the Four Seasons
by now, so their skin colour can settle for Sunday. But I'm seeing
stylists whooshing around town in their Range Rovers, pulling gowns from
boutiques where they are being altered, and the nail bars are heaving.
The actresses I've seen at 'lunch' are simply pushing leaves around
their plate."
High-definition photography and the prevalence of
social media means that actors now face having the minute details of
every angle of their body and face appear in hundreds of photos online.
As a result, the stakes for red-carpet glamour have never been higher.
"You
know it's the Oscars because suddenly everyone is on the cayenne and
lemon juice diet, and talking about appointments with their facialist,
podiatrist, personal trainer, stylist, dietitian, hairdresser and teams
from the big fashion houses like Valentino or Dior," says one well-known Hollywood stylist.
Picture perfect: Kate Winslet, Jennifer Lawrence and Julianne Moore
on the red carpet. Photograph: Stefania D'Alessandro/ Stuart
Wilson/Getty Images/Getty Images/ Rex Features/NBCU Photobank
"Hell, darling. That is what is going on in Hollywood right now,"
says stylist Cheryl Konteh, who has dressed a number of A-list stars,
including Kate Winslet, for awards ceremonies. "Those poor actresses
will have been on a diet-and-exercise regime since nomination day, all
with the aim of looking perfect in their chosen dress. They have to look
their healthiest possible. There is no way around it. Skin has to glow,
legs and body must be toned."
Julianne Moore has said that as
soon as she learned she had been nominated for a Golden Globe, she had
to start "training" fast. "It's so unfair. They [the Golden Globes] fall
just 13 days after the end of the Christmas holidays. Realistically,
you only stop eating and drinking too much on 1 January, and I was
certainly no exception," Moore told the Sunday Times. "I did … this
juice thing. I've never done one before, but I was desperate."
A
small army of plastic surgeons, facialists, personal trainers and
cosmetologists, such as New York-based Tracie Martyn, whose signature
treatment is called The Red Carpet Facial, will decamp to LA for the Oscars.
A
popular surgical treatment actors resort to before the red carpet is
last-minute liposuction on "problematic" areas of fat, such as the area
just under the shoulder blade which may bulge over the top of a
strapless dress. Underarm botox is another extreme-sounding but common
trick used to prevent sweating on the night.
Underpinning all this
is the sense that there is something more at stake than winning the
"best-dressed Oscar star" accolade in a magazine or blog. These
preparations often come down to money. "If an actor has a good Oscars
red carpet moment, it paves the way for lucrative advertising
campaigns," says the Guardian's beauty columnist Sali Hughes.
And
then, of course, they must act like it's all such effortless fun. "They
may try to make out otherwise, but most actors will have chosen their
dress over a month ago at the couture shows," says Konteh. "When you are
working with a fashion house you just have to commit, you can't mess
the designers around. Often it's about a working relationship. With a
day to go before the Oscars, I would have worked out hair, makeup and
jewellery. I would also have a Plan B outfit lined up, plus a possible
change of clothes for a post-Oscar event, such as the parties held by
Vanity Fair or Elton John."
In a moment of refreshing honesty, Jennifer Lawrence, nominated for best actress for her role in Silver Linings Playbook,
summed up her experience of the red carpet as "torture". "I know that's
a cliche," she told Vanity Fair, "but it's uncomfortable having to pose
when people are shouting at you and the next day you just get
slaughtered. You walk out there and go: 'Hate me!'"
Feeling full, psychology and how festive food and drink make a monster of your appetite
Christmas dinner: you might not feel as full as you think afterwards
The amount of food we can put away on Christmas
day is as impressive as it is excessive. Chocolates and mince pies are
fair game 24/7. Savoury nibbles are needed shortly after breakfast, to
soak up the mid-morning livener. And then, shockingly soon after lunch
and all its trimmings, as soon as someone breaks out the pickled onions,
I'm off again. And so it continues.
One reason we can keep
putting it away like this is a phenomenon called sensory specific
satiety (SSS). We can have enough of one sort of food, but still have an
appetite for something else. It lies at the root of the expression
"pudding stomach". It is why the trend for small sharing plates is a
restaurateur's dream and a slimmer's nightmare. It is why kids suddenly
declare: "I don't like it," while eating a food they definitely like.
The wherefores
The
thinking behind SSS is that because humans are omnivores, and we must
eat a variety of foods to survive, we evolved this mechanism to keep us
from sticking doggedly to our favourite food and consequently getting
ill, and/or prematurely popping our clogs. Marion Hetheringon, professor
of biospychology at the University of Leeds, describes the process
nicely: "If I'm eating a food like pasta, it will taste good at the
beginning. Then when I'm halfway through it doesn't taste quite as good –
I might add some more sauce to make it taste better, or I might say I'm
going to switch to salad now – I've had enough of the pasta." This
happens subconsciously. In fact even people with amnesia who not only
forget what they've just eaten, but have no idea whether they've eaten
at all, still express SSS. Served repeated, identical meals, they will
continue to eat them, but they find them increasingly unpleasant.
The override button
Adding
the sauce in Hetherington's pasta example is an attempt to override
SSS. While SSS happens automatically, we might consciously decide that
we want to keep eating the food a little longer and enter into an
internal tug of war. It seems that we can foil SSS pretty easily. One study back in the 1980s
found that once people feel satiated from eating red Smarties, if
presented with yellow Smarties (which taste and smell identical), they
will suddenly get their appetite back. And more recently, Laurent
Brondel at the European Centre for Taste Sciences in Dijon observed that simply introducing a condiment can be enough:
"I gave subjects some french fries," he tells me, "and when they didn't
want them any more, I put some ketchup near the french fries and then
the subjects started eating them again." His team did the same with
chocolate brownies, and introducing vanilla ice cream led to greater
consumption (although, controversially, whipped cream did not).
Who sates most quickly?
Babies
and young people have exhibited greater SSS in studies. Brondel says
that infants, between weaning and two years of age (after which hedonic
and external influences take hold), will choose all the foods they need
from a variety put in front of them – they won't simply eat the one food
that tastes the best. "This is a period of diversification, during
which they are very sensitive to their internal nutritional state and
needs," he adds.
"Children tend to show sensory specific satiety
quite strongly," says Hetherington, and therefore forcing them to finish
something they don't want could be detrimental. "If parents are trying
to override internal signals, the child will become more used to
environmental signals to determine how much they eat, rather than their
own internal signals of hunger and satiety." Obviously this is all
"within reason" – if, say, there's a purple jelly rabbit on the table,
it might not be SSS that's putting the kids off their broccoli.
Much
of the work on SSS has involved eating disorders. "Patients with
anorexia show it very strongly," says Hetherington, "whereas people with
bulimia show it quite weakly." But no one knows whether the inflated or
decreased SSS are symptoms or causes of these conditions.
A thoroughly modern malaise
Just
as our innate preference for sweet things served us brilliantly in
driving us to seek out energy-giving foods back in the good old days
before we were surrounded by cheap sweets, SSS also somewhat backfires
in the modern world. With such a wide variety of easily accessible food,
and with restaurants offering as many courses as you want, SSS makes
overeating pleasurable.
The trouble with turkey leftovers
When you have to eat a certain food every day, no matter how much you like it, long-term SSS can set in.
"There's also a long-term phenomenon called monotony," says
Hetherington, "which is different to SSS but means that by day three,
you are not going to fancy turkey again." On the plus side, if there are
only leftovers on offer, you will probably eat less for a few days.
Perhaps, to speculate wildly, the combined effects of SSS and monotony
are what makes it nearly impossible to fashion the turkey into something
that tastes delicious in the immediate aftermath of Christmas, no
matter how you dress it up. Have you ever truly succeeded in this task?
More and more of us live on our own, so why should we feel embarassed about being the lone diner?
Dining alone is shedding its stigma Photograph: Alamy
Even though around a third of us live alone these days,
the image of the lone diner is still quite sad. Think Bridget Jones
eating pickle straight from the jar with a spoon, or the business
traveller on a table for two with only an iPad, or worse, paperwork, for
company. It's not exactly aspirational.
Aside from the
perceived tragedy of the lonely diner, it's not easy cooking for one
either. Unless you're super-organised and cook in batches to eat at
leisure, making food or ordering in for one person can be quite
wasteful.
But the opportunity presented by the number of
people who live (and, by implication, eat) alone is an entrepreneur's
dream. Social designers, restaurateurs, and app-builders have been busy
finding creative ways to tackle lack of dinner partners, wasted
leftovers, and even how single eaters are perceived by culture. Could
these make eating for one more palatable?
Tables for one
It might be that you're loud and proud about eating out alone. Taking the shame out of the experience is the idea behind Eenmaal in Amsterdam,
a recurrent pop-up restaurant, with only tables for one. While communal
tables make it easy to eat a meal alone without looking like you've
been stood up by your date and help restaurants to save a cover on a
table for two, they don't tackle the perception that eating alone is
weird or uncomfortable. Creator, social designer Marina Van Goor,
doesn't think it's either of those things. "If you sit at a communal
table you're expected to chat and talk, and I wanted people to have the
choice to do so or not. Through EENMAAL I wanted to break the perception
that eating out alone isn't very attractive. Solitary dining can
actually be an inspiring experience, because you get a chance to
disconnect for a while in our hyper-connected world."
Global supper clubs
If
you do prefer your food with company, the still-trendy supper club
movement lends itself perfectly, since the intention is to share good
food with interesting strangers. Finding a supper club in a strange city
when you're away with work can be easier said than done, however. So,
after being scooped up by a Greek local and taken home for dinner while
travelling, Guy Michlin set up EatWith.
It's a global supper club listing site, a little like the food version
of AirB&B, where locals can invite travellers to tea. The site has
400 dinner hosts in 23 different countries who offer a
homecooked-from-scratch meal for a fee. Guests register to join them for
food and get a taste of local culture as well as local cooking. "Food
is a wonderful way to create stronger connections between people," says
Michlin. "This is exactly what we're doing and why the EatWith movement
is proving so popular across the world."
Feeding your neighbours
Still,
spending an evening with strangers isn't everyone's cup of tea. Some of
us would actually prefer to dine alone and at home, but don't want to
cook for one. If that's you, there's shareyourmeal.co.uk.
Working from the premise that it's cheaper and easier to make food in
bulk rather than in single person portion sizes, a group of neighbours
in Utrecht in the Netherlands set up a WhatsApp group where they could
share food if they cooked too much. From humble beginnings it's grown
into a Europe-wide meal-sharing site.
Lovers of ladling out
huge portions get to satisfy their urge to feed people by advertising
what they're cooking. If you're nearby, you simply ask to have a
portion, and go round with a container to collect it like takeaway. It's
more inspiring than the singleton diet of late-night bowls of cereal,
omelettes, and pasta-pesto (or is that just me?), and less wasteful than
filling your fridge with food that will rot because you can't eat it
all in time.
Meal sharing
But why would you buy
food from your neighbour when you can just phone for pizza and have it
delivered, you might ask? Unless you have a voracious appetite, even
takeaway isn't really geared towards the lone eater. But now there's an
app for that. Leftoverswap
allows you to offer your uneaten takeaway to your neighbours for a
small charge. After all, as their website says, '99% of us don't need a
second helping of beef lo mein'. As long as you're not too squeamish
about eating other people's cast-offs, it's one way to treat yourself on
Friday night when you can't afford a full-blown takeaway. It minimises
your food waste, and you get to feel good about sharing with your
neighbours.
Are these good ideas? Could they help make the
way all of us eat less wasteful, single or not? Or do they isolate
singletons further from the joys of conviviality and communal eating?
Ditch
the turkey, the cranberry sauce and the Christmas pudding … has Tony
Naylor taken leave of his senses? This is his take on the perfect
Christmas dinner – how do you eat yours?
Deck the halls with Blu-tacked tinsel! Hark to the sound of
melting credit cards! Yes, it's what we're contractually obliged, by
Noddy Holder, to refer to as Chriiiiiisssstttttmmmmmaaaaaas. Which, with
a kind of dread inevitably, means that How to Eat is tackling Christmas dinner. Yes, the Word of Mouth
series trying to establish the ideal forms of Britain's favourite
dishes is going deep on turkey and its assorted trimmings. Below the
line, please remember that this is the season of goodwill, which even
includes those fools who love cranberry sauce. Yes, even them.
Meat
Turkey?
Schmurkey! I've eaten organic bronze turkeys reared exclusively on
truffles and Classic FM in free-roaming paddocks that look like the 13th
fairway at St Andrews, and you know what? They taste OK. A gazillion
times better than your average frozen high-street bird, but just OK. And
this for something that costs 12 quid a kilo, and which the average
home cook – on the sherry since 10am – could easily incinerate.
What
are the alternatives? Not goose (too much of a divisive gamey, livery
twang); not duck (it's duck); not partridge (Asda was all out); and not
pork (ordinary Sunday lunch fodder). No, you want rib of beef. Wing rib
is marginally cheaper than a posh turkey; prime rib is the ultimate.
Whatever beef you can afford will offer a bigger bang for your buck than
bland, boring turkey.
Trimmings
Of course, that's the
theory. But most people won't eat beef this year, because most people
have no say in the matter. What's that? Take control, you say? Buy Mum
The Female Eunuch and tell her to put her feet up? Perhaps you are cold
enough to withstand that look of bereavement in her eyes across the
dinner table. I find it easier to put up with her turkey crown and limp
carrots.
So, with turkey you need sprouts (small ones, shredded
and fried with bacon); glazed carrots; roast potatoes and parsnips. All
sorts of things make a nice addition, particularly creamy things such as
cauliflower gratin or dauphinoise, and there many, many other things,
from red cabbage
to mangetout, that have no role to play whatsoever. However, those four
vegetables are your core. Cook them diligently and you have the perfect
vegetal yin to the real yang of the show: the pigs in blankets.
Christmas
dinner is really all about the chipolatas and the stuffing. Your
stuffing must have a sausagemeat base and it must be savoury. Chucking
fruits and spices into the Christmas dinner mix is a bizarre historical
hangover. Pork, sage and shallot, or chestnut and pancetta? They're
stuffings. Apples, dates, apricot, ginger, prunes, cognac? They're
masochistic.
Gravy and condiments
Gravy? Definitely.
Otherwise that's one dry meal. Running out of gravy is a cardinal
Christmas sin, second only to running out of booze. Condiments?
Verboten! Theoretically, you could make a cranberry sauce that, spiked
with orange and used sparingly, would provide a sharp counterpoint. But
you won't. At the last minute, you'll grab a jar of something
sickeningly sweet at the supermarket, better suited to a sponge cake.
That's how they make £36bn out of us each Christmas. As for bread sauce,
what is this? 1623? Made badly, it's like regurgitated rusk. Made
properly, heady with cloves and nutmeg, it is another of those strange
medieval flavours that has no place in the modern Christmas dinner.
Starters and dessert
To
begin, something light that can be readied in advance: smoked salmon,
pâté, soup. If you want to be flash, a zippy salad of dressed winter
vegetables. The average Brit consumes 6,000 calories on Christmas Day.
If you're looking to cut anywhere (and you'll have to prise that seventh
Thornbridge Jaipur out of my cold, dead hand), cut Christmas pudding.
That great, claggy lump of booze-sodden raisins is an endurance test. If
you need a showstopper, one word: trifle. Better still, as your guests
will be fit to burst, offer them cool, aerated relief – a bowl of ice
cream.
When
3pm. It leaves just enough time for the nausea
(from eating a selection box before 10.30am, topped up with three pints
and a double brandy in the pub at midday) to subside, without
interfering with the important business of the day – Corrie and
EastEnders. Yet it still allows you to squeeze in a Christmas sandwich
at about 10pm. This should include leftover turkey (look, it's been
cooked, someone needs to eat it), ham, strong hard cheese and a little
of that beer chutney someone thought was a better gift than actual beer
(it wasn't).
A word on crackers
We're all suckers for the
childish pleasure of pulling a cracker. And you can put that hat on for
10 minutes, if only to keep the peace. It won't kill you. But, please,
do not spend big on upmarket crackers, hazardous candles, plastic yule
logs and other overpriced table decoration tat. This year, Waitrose is
selling six crackers for £40. No, that isn't a typo. As Robin Williams
said of cocaine, when you're spending 40 quid on Christmas crackers,
that's God's way of telling you you've got too much money.
So, Christmas dinner: how do you eat yours?
german lifestyle photographer andre josselin alias MR.JERSEYYY from cologne shot the wonderful model DIANA in this stunning series for a german photography and lifestyle blog. watch the whole series right here…
Iain grew up in Africa and Malaysia and developed a passion for photography at an early age. On moving to London, he worked as an account handler for Saatchi & Saatchi but left to pursue his photographic career. After spending several years living and working in New York, he is now based back in London but continues to work internationally. Iain loves to capture images that have a strong graphic and textural quality, often searching out the graphical symmetry in chaos, while still maintaining the personality and emotion of the subject. His career has lead him to shoot campaigns for many of the world’s top brands and receive commissions from a host of top international magazines. Commenting on the ‘paint’ shoot, Iain says: ”I love the fusion between paint and model. The resulting shapes are as opulent as any piece of bespoke couture. The excitement and anticipation as we waited to see the next piece of unpredictable chaos was electric. There was something magical about how random chance materialised into beautiful images in front of our eyes.”
Winter is the hardest time of the year for deciding on what to wear for work. We always struggle with finding a balance between keeping warm and looking stylish. Blazers, tanks, skirts, skinny leggings, boots and scarves, all are the hottest pieces for this season but how to create different matches is the question. Here are our answers to clear your mind and load you with various inspirational ideas.